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Brief Bio

After graduating from Queen's University in Kingston Ontario in 1972, I studied ceramics in the Design Arts program at Georgian College in Barrie Ontario, and later at the Banff School of Fine Arts in Banff Alberta. Over my life as a potter I have been invited to participate in numerous solo and group exhibitions in Canada and the United States.

In the fall of 1979, my partner Ted Hodgetts and I moved to our schoolhouse near the village of Millbrook Ontario, and began our lives as studio craftsmen together. My first studio was a renovated porch in the house, and Ted established a small shop in an adjacent shed that was once the school's woodshed. 
                                      

By the early 1980's we realized that our workspaces were too small, and so in 1985 we built a studio building, designed by our friend Peter Fluker, to house both a pottery studio and a woodworking shop.



In 1995, Ted and I were founding members of The Millbrook Gallery, a collective of nineteen local artists. Most makers spend a great deal of time alone in their studios and so it was exciting to work together as a cooperative. We mounted new shows every six weeks, and hosted a variety of concerts, book launches, retrospective shows, and reading series. The gallery flourished until 2002.

Millbrook Gallery

In 1998 I took on a part-time job installing exhibitions at The Art Gallery of Peterborough. I thoroughly enjoyed working with Illi Marie Tamplin, who was curator at the time. In 2005, I guest curated a ceramics exhibition at the AGP 'Exploring Surfaces' which featured the work of eight exceptional Canadian ceramic artists: John Chalke, Angelo di Petta, Harlan House, John Ikeda, Ann Mortimer, Matthias Ostermann, Laurie Rolland, and Bill Rowland.

                                                                            

'Exploring Surface'
Art Gallery of Peterborough 2005


For the better part of thirty years, Ted and I shared our studio building. His work in wood found it's place in numerous private and public collections worldwide including representation on a Canadian postage stamp in 1999. His intelligent and meticulous craftsmanship, love of beauty and a good line, and his respect for his material, was always an encouragement and inspiration to me.  



  



                                                                                    
After Ted's death in 2018, his workshop became a beautiful gallery space where we hold an open studio event in the fall.